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Episode Five

The Collision

The corner store on Denny and Ash had a bell over the door that hadn't worked properly in months, so instead of a chime it made a flat clacking sound whenever someone came in, like a stick knocking against a fence post. Sage had heard it so many times she didn't register it anymore. She heard it now only because it was the last ordinary sound before everything stopped being ordinary.

She'd come in for milk and, if she could stretch her last five dollars far enough, something sweet. It was a small ritual she allowed herself twice a month, a treat that cost less than what other kids at school spent on coffee before first period. Two days ago she'd sat across from Olivia Bennett at lunch and felt the other girl's eyes linger a half second too long on the question she hadn't quite asked, and Sage still hadn't shaken the feeling of having almost been caught at something she couldn't name. She'd spent the two days since then rehearsing casualness, practicing the version of herself that didn't flinch, and she was tired in a way that had nothing to do with sleep.

The store smelled like burnt coffee and the particular mustiness of a walk-in cooler that needed servicing. Mr. Okafor was behind the counter, same as always, reading glasses pushed up into greying hair, half watching a muted television bolted into the corner near the ceiling. Sage lifted a carton of milk from the cooler, felt the cold bite through the thin plastic, and was reaching for a chocolate bar from the rack by the counter when the bell clacked again behind her.

She didn't turn around right away. In Kesting Row you learned not to turn around right away, because turning around right away made you look like you were watching, and looking like you were watching invited attention you didn't want. So she registered the newcomer as sound first. Fast footsteps. Breathing that came too hard for someone just wandering in for cigarettes.

"Register," the man said. "Now. All of it."

Mr. Okafor didn't move for a second, and in that second Sage understood two things at once. The man had something in his hand, low, half hidden by his own body, the kind of half-hidden that was worse than obvious because it made everyone in the room reconstruct the shape of it out of fear instead of fact. And the milk carton in her own hand had gone slick with condensation, her fingers pressing little dents into the cardboard without her meaning to.

"Okay," Mr. Okafor said, hands rising slow and open, the way a man says okay when he has done this kind of math before and knows there's only one right answer. "Okay, friend. Nobody needs trouble."

The register drawer chimed open. Sage stood very still between the chip rack and the cooler door, half in shadow, and did what she had trained herself to do since she was thirteen years old: she made herself small and quiet and unremarkable, a fixture, a shape the eye slides past. It had never once occurred to her that this instinct, honed over two years of surviving alone, might be doing something to the man's attention that had nothing to do with luck.

The man scooped bills into a plastic bag with his free hand, jerking, sloppy, and Sage watched the tremor in his fingers and thought, distantly, that whoever he was, he was more frightened than anyone else in the room. Frightened people did unpredictable things. She'd learned that too.

Then, outside, a siren whooped once, close, and cut off, the way sirens do when a car is already right there and doesn't need to announce itself further.

The man's head snapped toward the window. For half a second nobody in the store breathed.

"Out the back," he said, mostly to himself, and then he was moving, past Sage, close enough that she caught the sour smell of adrenaline sweat off him, and the bell clacked one more time as he shoved through the door instead of the back, because panic doesn't consult a floor plan. He went left, out onto Denny, and was gone past the window in under two seconds.

Sage let out a breath she hadn't known she was holding. Mr. Okafor was already reaching for the phone behind the counter, saying something fast into it, and the milk carton was still in her hand, warm now where her palm had been pressed against it too long.

"You are all right?" Mr. Okafor called to her, not looking up from the phone.

"I'm fine," she said, and her voice came out steadier than she felt, which was its own kind of small relief. She set the milk down on the counter because her hands didn't feel entirely like her own hands anymore, and stepped toward the door to look out, the way you do after a thing like that, needing to see the ordinary street put itself back together.

That was when Nate Bishop hit her.

He would replay it later and never manage to make it sound less clumsy than it actually was. He had been three blocks away when the call came in over a radio he wasn't technically supposed to still be monitoring on his night off, robbery in progress, corner of Denny and Ash, and something in him, some leftover reflex from Memphis that hadn't figured out yet that it wasn't his job anymore, had him moving before he'd consciously decided to move at all. He wasn't on shift. He wasn't even supposed to be carrying, though he was, out of a habit Beaumont had noted and not yet ordered him to break. He ran because running was easier than sitting still with the sound of a gun going off somewhere in a city that wasn't his, in a life that still felt borrowed.

He'd seen the man burst out of the store from half a block up, a blur of a jacket and a plastic bag swinging wrong in his hand, and Nate had shouted something, police, stop, the words automatic and useless, because the man had already cut down the alley beside the store instead of continuing along the street, and Nate, chasing on pure momentum, misjudged the angle where the alley met the sidewalk in front of the store's door.

The door swung open just as he came around the corner.

He saw her for less than a quarter of a second before they collided. A girl, dark hair, a carton of something in her hand that went flying, her eyes going wide with the specific alarm of someone who has just had the ordinary rules of a Tuesday afternoon violently revoked. Then his shoulder caught hers and they went down together in a tangle of limbs and spilled milk, and for one disorienting instant the whole world was concrete and elbow and the smell of wet cardboard.

And then it wasn't concrete anymore. It was something else entirely.

Sage felt it before she understood what was happening. His hand had closed around her forearm in the fall, an instinctive grab, the kind a person makes without thinking, trying to catch what's already falling and only succeeding in falling together. Skin against skin, his palm rough and too hot, and something in her that had been clenched tight and careful for two straight years simply gave way, the way a dam gives way not because it wanted to but because the pressure finally exceeded what it could hold.

She saw a kitchen. Bright, ordinary, an island counter with a fruit bowl on it, a corkboard cluttered with a soccer schedule and a grocery list in handwriting that wasn't hers. A pencil line on a doorframe with a date beside it, and another line an inch above it, and another above that, each one a small triumphant record of a child getting taller. A porch swing moving in a wind that didn't exist anywhere Sage had ever stood. A star-shaped nightlight, plugged into a wall socket, glowing pale blue in a room gone otherwise dark.

And underneath all of it, running through every image like a current under still water, a grief so total and so bottomless that it had no edges at all, a grief that had eaten the man from the inside and left the shape of him standing upright out of nothing but stubbornness. Sage's chest seized with it as though it were her own. For an instant she could not tell where the sorrow ended and where she began, and some old animal part of her, the part that had survived being thirteen and alone and unmoored, understood without being told that this man had lost everything that had ever made a house into a home, and that he had been walking around inside the wreckage of it every single day since, smiling at people who had no idea, doing his job, drinking too much, and never once letting the wound close because closing it felt like a second betrayal.

At the exact same moment, though she wouldn't learn this for certain until much later, something moved the other direction too.

Nate, flat on his back on a Kesting Row sidewalk with the wind knocked half out of him, saw a small apartment with peeling wallpaper and a window that didn't quite shut all the way, cold air leaking in around the frame. He saw a girl younger than the one currently sprawled half on top of him, sitting on the edge of a stripped mattress with a duffel bag she hadn't finished unpacking in months, counting a thin fold of bills over and over as though counting it again might make it more than it was. He felt, briefly and with a clarity that frightened him more than anything he'd felt since Memphis, a loneliness so practiced and so total that it had stopped registering to the person carrying it as loneliness at all. It had just become the temperature of the air she breathed.

He saw, too, faster than he could hold onto it, a woman's face, older, kind, turning to look over her shoulder at something out of frame, and then a door, and then nothing, a hole in the memory shaped exactly like whatever had happened next, a wrongness so carefully avoided by the mind that owned it that even brushing against the edge of it made Nate's stomach drop the way it does at the top of a staircase misjudged in the dark.

It lasted, in real time, perhaps two seconds. Maybe three. Long enough that later, separately, each of them would try to explain it to no one, because there was no one to explain it to, and would fail, because there were no words built for what had happened that fit neatly enough to use out loud.

Then it broke, the way a held breath breaks, and they were just two strangers on a sidewalk again, tangled together in a mess of spilled milk and a dropped radio and a girl's school bag that had slid halfway into the gutter.

"Oh, God, I'm sorry," Nate said, already scrambling up onto one knee, reaching for her without thinking, the way he might have reached for Kimberly if she'd taken a spill on the driveway, and then catching himself half a beat too late, hand hovering. "Are you hurt? I didn't see you, I wasn't watching where I was going, I'm so sorry."

Sage sat up slowly. Her palms stung where they'd scraped the pavement. Her heart was going so hard she could feel it in her throat, and underneath the ordinary shock of having been knocked flat by a stranger there was something else moving in her, something that felt like standing in a room after someone has just left it and finding the air still faintly warm from where they'd been standing.

"I'm fine," she said, which seemed to be the only sentence she was capable of producing today.

"You're bleeding," he said, nodding at her palm, and she looked down and saw that he was right, a thin scrape welling at the heel of her hand, not serious, barely worth noticing under ordinary circumstances, but her eyes stung anyway, a stupid delayed reaction to a day that had already asked too much of her before noon.

"It's fine," she said again, and pressed her sleeve against it without really thinking, and looked up at him properly for the first time.

He looked, she thought, like a man who hadn't slept enough in a very long time. Not old, not really, somewhere in his thirties maybe, but there was a heaviness around his eyes that didn't belong on a face that otherwise still had some warmth left in it, laugh lines gone unused for a while but not erased. He was watching her with an expression she couldn't place at first, and then realized, with a small jolt, that she recognized it because she'd worn it herself more than once. It was the look of someone trying very hard to convince themselves that what just happened inside their own head hadn't actually happened.

"You sure you're okay?" he asked again, and there was something almost too careful in the question, as though he were testing the ground before putting his full weight on it.

"I said I'm fine," she said, sharper than she meant to, and stood, wobbling only slightly, waving off the hand he offered before she'd even fully processed that he'd offered it.

Down the alley, a second officer, younger, a little out of breath, rounded the corner with the man in the tan jacket already cuffed and stumbling in front of him, the plastic bag of stolen bills long since dropped somewhere in the chase. Sage watched the arrest happen at the edge of her vision the way you watch weather on a television with the sound off, present but unreal, because the thing that had actually rearranged something in her chest wasn't the robbery at all. It was still sitting on the sidewalk in front of her, dusting concrete grit off the knee of a jacket that had seen better years.

"Detective Nate Bishop," he said, straightening finally, and pulled a badge from an inside pocket almost apologetically, as though he wasn't sure whether the introduction was necessary or wanted. "I'm sorry, really. That was a bad way to meet somebody."

"Sage," she said, before she could decide whether she wanted to give him even that much, and immediately regretted the impulse, though she couldn't have said why.

"Sage," he repeated, and something crossed his face when he said it, something quick and involuntary, gone before she could name it. "You should get that hand looked at. And you dropped, uh." He glanced around, spotted her bag half in the gutter, and retrieved it, along with the chocolate bar that had somehow survived the fall unbroken. "This too."

She took the bag from him. Their fingers brushed again, briefly, deliberately careful on his part this time, as though he too had felt something in the first contact and was testing, without knowing he was testing, whether a second, gentler touch would do it again.

It didn't. Whatever had happened had happened once, hard and total, and had already receded back under the surface, leaving only a faint hum behind it, the kind of ringing in the ears that follows a loud noise.

"Thanks," she said.

"You go to school around here?" he asked, and it wasn't a strange question, not really, plenty of adults asked kids things like that in this neighbourhood out of a kind of automatic protective habit, but something in his voice made it feel like he wasn't quite asking what he was actually asking.

"Yeah," she said. "I'm fine. Really. I need to go."

She didn't wait to see if he'd try to stop her, though some part of her, walking away faster than the situation strictly required, half expected to feel a hand close around her arm again. It didn't come. When she glanced back once, from the far corner, he was still standing outside the store, the younger officer talking to him about something, his own gaze fixed on the spot on the sidewalk where they'd collided, like a man trying to work out the location of a sound he could no longer hear but was certain he hadn't imagined.

The rest of the walk home passed in pieces. Sage would remember, later, crossing against a light she normally waited for. She would remember standing outside her building for almost a full minute before going in, keys already in her hand, unable to make herself climb the stairs, because climbing the stairs meant being alone in her apartment with whatever had just happened, and she wasn't ready for that yet.

When she finally did go up, she set the milk carton, badly dented but not leaking, on the small counter that passed for a kitchen, and sat down on the edge of her bed, and pressed the heels of her hands against her eyes until she saw sparks.

She knew what the Reach was. She had known since she was young enough that her aunt had sat her down at the kitchen table in a house in a country that no longer felt entirely real to her and explained, carefully, in the tone adults use when they are frightened of a truth they still have to deliver, that some people could feel things other people were thinking or feeling if they touched them, and that Sage was one of those people, and that it was a gift, and that gifts came with responsibilities. Sage had spent every day since respecting that responsibility as best she understood it. She did not read people. She did not reach into someone's private grief and rifle through it like it was hers to take. She had built her whole sense of herself, brick by careful brick, around the fact that whatever power lived in her hands, she chose, every single day, not to use it on another person without their knowledge or consent.

What had happened on that sidewalk had not been a choice.

It had happened the way a held breath escapes when you're startled, faster than thought, and it had not stayed politely on the surface either. She had felt that man's grief the way you feel cold water close over your head, total and immediate, no time to brace. A kitchen. A pencil line on a doorframe. A porch swing. A nightlight glowing in a dark room. She had felt, for one unbearable second, exactly what it was to lose a child, though she had never had one, would never have had one to lose, and the fact that her own body could manufacture that grief out of someone else's memory so completely that it left her hands shaking now, an hour later, alone in her apartment, frightened her more than anything had frightened her in a long time.

And there had been something else too, something she couldn't quite pin down, a strange sensation of being seen right back, as though whatever door had swung open between them had swung both ways. She didn't know what he might have gotten from her in that half second. The thought made her stomach turn over slowly, the particular vertigo of realizing a stranger might know something true and private about you that you have never told a single living soul.

She got up, eventually, and made herself eat something, because that was the other rule she had built her life around since she was thirteen: you kept moving, you kept functioning, whatever had happened, because the alternative was letting the ground open up and swallow you, and she had decided a long time ago that she was not going to let that happen to her, not ever, not for anyone.

Still, that night, lying in the dark with the window cracked to let in the small ordinary noise of Kesting Row settling down around her, she found herself thinking about the man's face. Not the grief in it, though that had shaken her plenty. It was the way he'd looked at her afterward, on the sidewalk, like he'd recognized something in her he couldn't name, the way you sometimes think you know a song from the first three notes before your memory catches up and tells you why.

She told herself it meant nothing. She had gotten very good, over the years, at telling herself things meant nothing.

Across the city, in a precinct that still didn't quite feel like it belonged to him, Nate Bishop sat at a desk that had come with a coffee ring already burned into the surface by whoever had sat there before him, and tried three separate times to fill out the incident report on the corner store robbery, and three separate times found himself staring at the same blank line in the narrative field instead of writing anything at all.

"You gonna write that thing or just admire it," Eli Vance said, dropping into the chair across from him with the particular boneless slouch of a man who had been on his feet all day and intended to make up for it now. Vance had a coffee in each hand, though Nate hadn't asked for one, and set the second cup down in front of him without comment, which was as close as Vance ever came to saying he was worried about somebody.

"Working on it," Nate said.

"You've been working on it for twenty minutes and I watched you type and delete the word 'the' four times." Vance took a long pull off his own coffee. "You get clipped pretty good out there. You sure you're all right? Beaumont's gonna ask."

"I'm fine." It was the second time that day someone had said those exact words to him, though he had no way of knowing that, and no reason to notice the strange small symmetry of it even if he had.

"You don't look fine. You look like you saw a ghost." Vance grinned at his own joke, the kind of joke that would have meant nothing at all to him and everything to Nate if Nate had known one tenth of what Millhaven actually was underneath its ordinary streets. "Kid you knocked over give you trouble? Beaumont said dispatch logged a civilian involved."

"No trouble," Nate said. "Just clumsy. Ran the corner too tight, went right into her." He paused, and the pause went on a beat longer than a normal pause should have. "She's fine. Scraped hand, that's it."

"You gonna finish that report sometime this decade?"

"Yeah." Nate looked down at the screen again. The cursor blinked at him, patient, indifferent. He typed, at last: Suspect apprehended without further incident. Civilian bystander struck during pursuit, minor injury, declined medical attention. He looked at the sentence for a long moment, the flattest, most bureaucratic possible description of what had actually happened, and found that it made him strangely angry, the way any lie does when you're the one telling it and you know exactly how much it's leaving out.

Because something had happened. He knew it the way he knew his own name, the way he'd known, standing in his own kitchen in Cordova a lifetime ago, that something in the house had gone terribly wrong before he'd even reached the stairs. He didn't have language for what it had been. For one impossible half second he had seen, with a clarity sharper than memory usually managed, the pencil marks on his own pantry doorframe, Kimberly's careful, proud posture every time she'd stood against it, chin up, refusing to slouch even a centimetre because slouching would have shaved a false quarter inch off her progress. He had felt that memory arrive from outside himself, the way you feel a draft come in under a door you didn't open, and in the same instant he had felt something else too, something that hadn't belonged to him at all, a girl's hunger and cold and a bone-deep loneliness dressed up as competence, worn so long it had become indistinguishable from her own skin.

He was not, by nature, a man inclined to believe in things he couldn't explain. He had spent a career building cases out of what could be proven, timestamps and fingerprints and chains of custody, and he had no framework at all for what had just happened to him on a Kesting Row sidewalk, no drawer in his mind labelled for it. His first instinct, sitting there with the cursor blinking, was to file it under shock, under grief doing strange things to a tired man's head, under the plain fact that he had not been sleeping and had had more to drink the night before than he wanted Vance or Beaumont or anyone else to know about.

But shock didn't usually come with a pencil line on a doorframe he hadn't thought about in months. Shock didn't usually arrive with someone else's cold apartment stitched into the middle of his own memory like a photograph slipped into the wrong album.

"You're doing the thing again," Vance said.

"What thing."

"The thing where you go somewhere else behind your own eyes. You did it twice yesterday. Beaumont's noticed too, for what it's worth, he just won't say so to your face because he's decided he likes you, God knows why." Vance said it lightly, but there was something underneath it, a genuine question dressed up as a joke, the way partners sometimes check on each other without wanting to make a thing of it.

"I'm fine," Nate said, for the third time that day, and this time even he could hear how little weight the words carried.

Vance studied him a second longer, then apparently decided, for now, to let it go, which was its own kind of mercy. "Beaumont wants us on the Riverline case in the morning, so get some sleep, whatever that means for you these days." He stood, gathered his coffee, and paused at the edge of the desk. "For real, though. You good?"

Nate looked at the blinking cursor, and at the report he still hadn't finished, and thought about a girl's face on a sidewalk, sharp and guarded and far too old for whatever age she actually was, and about the way she'd looked at him afterward like she, too, had felt the floor tilt under her feet and didn't know why.

"Yeah," he said. "I'm good."

He wasn't. He knew he wasn't, the same clean, unadorned way he'd known plenty of true things about himself since Memphis and simply chosen to carry them silently instead of setting them down anywhere they might be seen. He finished the report, eventually, in the flattest language he could manage, and drove home to the apartment in Old Millhaven that still had a box marked K's room shoved in the back of a closet he hadn't opened in weeks.

He didn't turn on most of the lights. He never did anymore. He sat on the edge of his bed for a long time with his jacket still on, looking at the small star-shaped nightlight glowing on his nightstand, the one thing in that apartment he had set up on purpose instead of leaving packed away, and found himself, for the first time in almost a year, thinking about something other than Angela and Kimberly for more than thirty seconds at a stretch.

He was thinking about a girl named Sage, and a kitchen that wasn't hers, and a loneliness that wasn't his, and the strange, thin, impossible thread of a feeling that the two things were somehow, absurdly, connected.

He told himself it was exhaustion. He told himself it was grief doing what grief does, warping the ordinary rules of a Tuesday into something stranger than it had any right to be. He was, after all, not a man who believed in things he couldn't explain.

But he didn't sleep much that night either, and somewhere in the small hours, lying awake and staring at a ceiling he still didn't think of as his, he found himself certain of one small, useless, undeniable fact: whatever had passed between them on that sidewalk had not been nothing.

And across the city, in a cheap rented room above a shuttered laundromat, Sage lay awake too, staring at the same dark, feeling the same unfamiliar hum still faintly present under her skin like a struck bell that had not quite finished ringing, and came, without wanting to, to exactly the same conclusion.

Next time, on Sage: Ghosts of Millhaven

Next time, on Sage: Ghosts of Millhaven... Nate can't stop replaying what he saw in the split second they touched, and he's not the kind of man who believes in things he can't explain. Sage tells herself it was nothing. Neither of them is going to get away with that for long.